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When Pauline Kael reviewed a movie, any movie at all, her writing pulsated with life, but that didn't mean she wasn't parsing everything with supreme braininess and reasoning and inquiry. The New Yorker film critic Pauline Kael battled to make her mark -- fueled by brilliance, unshakable self-confidence, a complicated past, and a deep love of the arts. She engaged with film like " The Revenant "'s Leonardo DiCaprio engaged.
Yes, What She Said: The Art of Pauline Kael is worth watching. But better to read the New Yorker movie critic's writing, which inspired Roger Ebert. Kael was a velociraptor with a ferocious wit who swam with the sharks of moviemaking and did more than just stand her ground.
Like a real velociraptor, it wasn't an issue issue of Pauline Kael being right or wrong. It's what she did and how she did it — and the awesome filmmaking of Robert Garver. Her landmark essay "Trash, Art and the Movies" defended her right to enjoy these things, with What She Said will likely not make you feel any more familiar with Pauline Kael than you already are, but What do you think? Are you familiar with Pauline Kael's work? What is your favorite review of hers? Pauline Kael, the longtime chief movie reviewer for the New Yorker.
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But even with a cipher-like central character, "What She Said" proves to be improbably illuminating. Tracing Kael's career from doing radio reviews in Berkeley, Calif., — where her home was the epicenter of bohemian life — to. 'What She Said' Review: The Complexity of Pauline Kael, With Punches Pulled. Film critic Pauline Kael might have hated the first eight minutes or so of Rob Garver's "What She Said: The Art of Pauline Kael," a fawning introduction to the life and times of the author and cultural icon.
Kael approached going to the movies as a thrilling, sensual exercise and her reviews were intensely personal reflections on the experience of watching. Irresponsibility is part of the pleasure of all art; it is the part the schools cannot recognize. "What She Said" features interviews with Pauline protégées. She says right in the doc that it's dangerous. Rob Garver's documentary on Pauline Kael is not just a portrait of a single personality, nor an elegy Garver's film is above all a celebration of the pleasure of intellectual and emotional response to art.
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