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Instead, "We Are Little Zombies" is a relentless, but emotionally well-balanced character study of Hikari (Keita Ninomiya) and his bandmates as they receive a series of transformative reality checks, and also perform post-millennial garage rock that sounds like a cross between. We Are Little Zombies mixes the playful and the profane with a stylish and visually inventive look at death, abandonment, and the grieving process. Little Zombies still manages to stay coherent even while spiraling through incongruent moods.
It's not the most lighthearted way to begin a movie, yet "We Are Little Zombies" is nothing if not ebullient. Film Review: 'We Are Little Zombies'. A hyperstylized, hyperactive and hyper-fun movie spectacular about four newly bereaved Japanese orphans No pulsating, psychedelic, pop-punk phantasmagoria ought to be as moving and smart as "We Are Little Zombies." But Makoto Nagahisa's explosively.
We Are Little Zombies has a very original and intriguing premise. When the kids are unable to cry at the funeral of their parents, they start questioning if sadness really exists. This the story of four orphan kids united by their lack of empathy and nihilism. We Are Little Zombies is extremely surreal, frenetic and fantastic. I was really enchanted by its satire and its sense of humor, the visuals are That may make the movie sound treacly or unappealing but We Are Little Zombies feels more like Nobody Knows as directed with the video game aesthetic and. What to Watch Now Movie Reviews TV Reviews Roundtables Podcasts. 'We Are Little Zombies': Film Review.
Trailer WE ARE LITTLE ZOMBIES
Blissful, whacked-out, inspired, juvenile, dementedly inventive, hyper-energized — all of this and more apply to music video and advertising whiz Makoto Nagahisa's first feature We Are. "We Are Little Zombies" follows four young children who have never met each other before - Hikari, Ikuko, Ishi, and Takemura. They meet at a crematorium to pick up the ashes of their parents. As they have no idea why they can't properly mourn the death of their parents nor shed a tear, the children.
Makoto Nagahisa's We Are Little Zombies is an emotionally invigorating film about four profoundly emotionless children. Hikari, Takemura, Ishi, and Ikuko meet at a crematorium during their parents' funeral. They find solace because neither of them can cry despite becoming orphans. At two crammed hours in length, "We Are Little Zombies" runs a little long, and at some point the vertiginous fear sets in that Nagahisa can't possibly maintain his fever-pitch of inventiveness right through.
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